How about a Lucite purse from the 50′s in a root beer color? This vintage tortoise shell box purse has brass fixtures and rhinestones — like little glittering ice cubes in the root beer! lol
How about a Lucite purse from the 50′s in a root beer color? This vintage tortoise shell box purse has brass fixtures and rhinestones — like little glittering ice cubes in the root beer! lol
The second Luise Rainer film I watched was such a fabulous film that I’m now devoted to collecting everything I can from or about it.
Since this film is a period piece, I posted my review of The Toy Wife (1938) elsewhere — but I did discover something fashion related to discuss…
On the back of the old MGM promotional film still photo by Clarence Bull, the following is typed:
Grey Faille with blue velvet ribbon detail and corded bow fastenings is charming in this costume designed by Adrian for Luise Rainer, in the Metro-Goldwyn-Mayer production, “The Toy Wife.” Bonnet of grey straw with blue and grey feather frou-frou and blue velvet tie.
This reminds me that once upon a time, movie stars, especially the actresses, were noted for the fashions they wore in films — not just the red carpets. Seeing such information that was distributed by the studios proves that fashions and designers themselves were part of the film promotion.
Today, if such photos and captions are provided and/or used, the caption probably has more to do with who the actress slept with, some arrest information or other bit of notoriety to gossip about. I much prefer to gossip about the glamour of film and the fashion in film, don’t you?
Via this funny post at Kitschy Kitschy Coo, I found a link to this vintage photo of a singing diva that certainly looks an awful lot like Madonna — like vintage Madonna, anyway. (And don’t you just love that gown she’s wearing?!)
Do you know who she is?
It’s Olga Baclanova (pronounced bahk-LAH-no-vah), known best for the cult classic Freaks (1932).
She sure reminds me of Madonna.
Olga doesn’t always bear such a striking photographic resemblance to Madonna though…
Here’s what’s printed on the back of that vintage promotional photo:
HOSTESS PAJAMAS are introduced to Hollywood by Baclanova, Paramount’s Russian artist, who selects green and silver metal cloth, bound with shimmering silver braid for an unusual costume. Exotic modernistic earrings complete this effective ensemble.
I’m giving High-Fives this Friday to:
1. A Tad Too Much Tan For Taupe finds a fab vintage circle skirt.
2 & 3 Inherited Values has more news on finding silent film footage presumed lost, and shows us some pretty baubles from a film classic.
4. Millie Deel shows us lovely custom shoes by Zoe Rios — with loads of vintage style.
5. Millie also tips us off to Diary of a Vintage Girl’s contest for vintage-inspired Kiss Me Deadly lingerie.
This vintage black wool circle skirt by Madalyn Miller features a working purse applique!
The cream wool felt purse with silver and black detail work has a working gold clasp that opens up, making it a functional vintage purse!
Available for sale at, and photos from, Wear It Again Sam Vintage Clothing.
I stayed up late Tuesday night, celebrating Luise Rainer‘s 100th birthday with TCM. This was my introduction to Rainer — and even though the three films I watched are neither her best known films nor those she won her two (back-to-back) Oscars for, I was smitten.
The first movie I watched was The Emperor’s Candlesticks (1937), which, frankly, is often dismissed as more eye-candy than substantive film. It’s easy to do, what with such opulent settings for two wealthy spies each on opposite ends of political intrigues who manage to fall for each other. But if you listen as well as watch, there’s a sophistication and elegance to the acting too. Especially the banter between Rainer and William Powell.
Enjoy the lush settings, but don’t forget to focus on the faces and the dialog — if you do pay attention, it’s rather like the delight of employing the secret compartments in the antique candlesticks.
It’s not my favorite of the three Rainer films I watched, but it was good enough for me to want to watch another…
The elegant and elaborate lace shawl is a glamorous accessory many think of only for holiday dressing — which is probably why Valentino’s Sequin Lace Shawl is on sale at Neiman Marcus (sale found via Shop It To Me Sale Mail).
But the shawl really knows no season, nor is it limited only to black-tie events. It’s just a bit of glamour you throw on with any old thing, right Myrna Loy?
(Myrna Loy autographed photo via MovieTreasures.com.)
Vivien Leigh agrees.
This vintage dress by Ida Mea of Chicago is a lot like the legendary eyes of Elizabeth Taylor: absolutely stunning in both shape and color. Created by layers of periwinkle chiffon over a pinked lavender shade of what I believe looks like a taffeta, note the incredible way the chiffon not only drapes, but is ruched and folded to create lines as well as depth. But the beauty doesn’t stop there — there’s ivory lace at the bodice, a shelf bust, and boning too.
I’m giving High-Fives this Friday to:
1. Incredible silent film news at Inherited Values: finding lost Annette Kellerman film footage! (Other silent film finds too!)
2. And, if you don’t know who Annette Kellerman is… Check out this piece on Kellerman at Gadabout.
3. Also at Inherited Values: meet Mary Fuller — and let her introduce you to Frankenstein?!
4. While you making new acquaintances with old film stars, meet Phyllis Haver over at Things & Other Stuff.
5. Glamourdaze has a fab fashion post on the glamour of 1930′s shoes (via Shoe Fits).