The November issue of Elle magazine (along with it’s ever-increasing holiday push) is focused on women in Hollywood, including a list of “the 63 most loved and feared in the biz.”
If you’re a modern movie maven, you’ll love this issue (even if you take issue with some of the selections — I know I always do with lists, as you’ll soon see!).
And if you’re a classic film fan or a vintage glamour fashionista, you’re sure to love this issue’s Elle Shops, a Fashion In Film Countdown of “monochromatic stunners inspired by our favorite black-and-white films.” Even if only giving it an ‘A’ for effort.
(Remember, you can click the images to see much larger scans!)
In at #10, From Here To Eternity, focused on vintage-styled beach & resort wear.
Number 9 is Paper Moon; I’m not much of a ‘tomboy,’ but I’m completely smitten with the sweet Chloé by Hannah MacGibbon silk linen jacket.
At #8, Swing Time, featuring a few little white ruffled blouses in the tuxedo-inspired pieces.
Raging Bull is in at #7. Again, it’s not my style — and I haven’t seen the film.
At # 6, Shanghai Express; the Dolce & Gabbana goat-fur coat is just one of those pieces I’d have to try on to see if it would be fab or fug… Plus, I’m more than a bit ambivalent about fur; I only own vintage fur pieces.
Some Like It Hot is in at #5. I hate-hate-hate it when folks say you get the look of a film by wearing clothing with the star’s image printed onto the fabric of a dress or t-shirt or whatever. That’s not the look or style of the film; it’s crass celebrity commercialism. And the white cotton Phillip Lim dress covered in golden sequins is so not that film.
For Philadelphia Story (number 4 on the list), the Elle staff seems to have missed the entire fashion story here… Katharine Hepburn’s look wasn’t, as they say, about “demure dresses and menswear-inspired shapes.” It was about refined femininity and very fine tailoring. I don’t think a single piece shown here (save for, perhaps, the Paule Ka dress) would please either actress Hepburn or costumer Adrian.
In at #3, is A Hard Day’s Night. I would have thought there’s be more truly mod looks here, but…
Casablanca is in at #2, and I am under-whelmed.
Elle Shops #1 fashion film story is The Wizard Of Oz. I don’t know where to begin here… I think they’ve taken great liberties with the look & feel of the film. And what on earth is up with all the unappealing tie-dye-esque stuff on the far right?
Now it’s your turn — do you agree with me, or with Elle?
I can’t swear this is really Lauren Bacall’s Twitter account, but with tweets like this, I so want to believe it is!
Yes I saw Twilight my granddaughter made me watch it, she said it was the greatest vampire film ever.After the “film” was over I wanted to..
smack her accros her head with my shoe, but I do not want a book called Grannie Dearest written on me when I die, so instead I gave her a…
DVD of Murnau’s 1922 masterpiece Nosferatu and told her, now thats a vampire film! and that goes for all of you! watch Nosferatu instead!
If you don’t want to be hit in the head with Lauren Bacall’s shoe, get Nosferatu!
If this isn’t the strangest, most ironic record album…
Hooray For Hollywood, The Golden-Age of the Hollywood Musical Companion Volume, “Musical Numbers Created And Directed By Busby Berkeley.”
A Busby Berkeley billed musical recording? Of course I snapped up the retro vinyl — but Berekely’s lavish, lush and sometimes lewd choreography sure isn’t seen on an LP!
A United Artists record (UA-LA361-H-0798 Mono, copyright 1975), it comes with a 16 page booklet (the full size of the sleeve!) with lots of photos and brief information on the musical numbers, songs and film. Certainly delightful — and the music is fine (though my personal copy has a few “skips,” so I am going to have to clean it better and see if I can improve things), but just the idea of audio sufficing for the splendor of a Busby Berekely production is still too funny.
Even if you have an excellent memory and want to close your eyes as you listen to the music & remember the glamour and spectacle of Berkeley’s sequences, they will pale in comparison; nothing, not even your vivid imagination, compares to seeing the incredible art of Busby Berkeley. He’s just too magical.
The record contains the original soundtrack recordings — and if you love these old movies, you’ll love hearing them.
Songs Side A:
1. Introduction — The Busby Berkeley Girls Medley: Blue Moon, I’m Like A Fish Out Of Water, Hooray For Hollywood/Johnnie “Scat” Davis, Frances Langford
2. I’m Going Shopping With You, The Words Are In My Heart/Dick Powell
3. You’re Getting To Be A Habit With Me/Bebe Daniels
4. The Lady In Red/Winifred Shaw
5. All’s Fair In Love & War/Dick Powell, Joan Blondell, Lee Dixon, Rosalind Marquis
Songs Side B:
1. Young & Healthy, Shuffle Off To Buffalo/Ruby Keeler, Clarence Nordstrum, Una Merkel, Ginger Rogers
2. Don’t Say Goodnight/Dick Powell
3. Young & Healthy/Dick Powell
4. Spin A Little Web Of Dreams/Veree Teasdale
6. Dames/Dick Powell
However, the record itself has, on side B, what can only be called a Berkeley-inspired idea: a circle of ladies who will spin on your turntable!
Perhaps there’s nothing more iconically American than the cowboy. And this lady is iconic herself, though not so oft seen as a cowgirl… Any guesses?
Happy 4th of July!
However, I don’t think one can really compare Ava Gardner to Kim Cattrall without thinking that Gardner’s the better-looking babe.
At least I’m more likely to fall in love with art than a merchandising hanger — and I’m not just comparing the statue of Venus to a mannequin here.
According to press releases for the film, Ava Gardner’s measurements were:
Bust 35 3/4
Waist 23 1/4
Thighs 19 inches
Ankles 7 1/2
All I know of Kim Cattrall’s measurements are that she wears a size 6 French maid costume and a 9.5 shoe; which is a bit like comparing apples to oranges. And we can’t always trust movie studios for precise measurement information either. But I think most would agree that Ava has a more curvy look.
(Also, regarding Ava’s measurements in the press release, I love the use of the word inches used only for “thighs”, presumably so people would know they weren’t quantity and wouldn’t mistakenly think Gardner had 19 thighs — as opposed to 34 hips and 7.5 ankles?)
Back to the sculpture of Venus for One Touch of Venus. The statue for the film was posed for by Gardner and sculpted by Joseph Nicolosi. Of its creation, the following story is told in Lee Server’s Ava Gardner: “Love Is Nothing”:
To help in the creation of a proper life-size statue to be used in the film, Ava was sent to pose for New York sculptor Joseph Nicolosi. Several hours each day for two weeks she assumed a position in the studio at Nicolosi’s Malibu home. At first clad in a two-piece bathing suit, she saw the sculptor repeatedly stop work to approach her and star with concern at the swimming costume. It seemed that the fabric disturbed him as an interruption of the body’s natural line; the Anatolian Venus, Nicolosi sighed dramatically, had worn no such garment.”Would you like the bra off?” Ava asked.
Nicolosi averred that it would surely aid the cause of art, and so Ava, after a steady stream of what she described as “hot drinks,” unhooked the swimsuit top and resumed her stance with breasts bared. Further sighs of dissatisfaction from Nicolosi eventually resulted in her rolling the bottom of the bathing suit to just below the pubic mound (the mons veneris, indeed). Sometime later, prompted by a reporter and sculpture enthusiast eager to hear more details of these modeling session, Nicolosi said, “Miss Gardner gives an appearance of slenderness but possesses the roundness and fullness in the necessary places which set her apart from the emaciated female whose cadaverous outlines most American women seem determined to achieve.”
In early February the sculptor proudly unveiled his finished work to producer Lester Cowan and was met with a torrent of invective.
“Are you crazy? Her tits are showing! How are we gonna put that in a movie?”
The sculptor had to go back and create a more modest goddess.
Joseph Nicolosi (1893-1961), an Italian-born American sculptor, executed the figure for One Touch of Venus. The statue, which bears a passable but not remarkable resemblance to Gradner, is thoroughly indigestible as a veritable antiquity, recently excavated from the Anatolian earth. In Nicolosi’s defense, however, certain conditions mitigated strongly against the figure acquiring the aura or patina of “authenticity.” Materials are one. It would have been foolhardy, never mind improbably in terms of budgets and schedules, for a motion picture studio to invite an artist — even an academically trained one, like Nicolosi, accustomed to doing so — to work in the sort of materials that were used in antiquity and might survive many hundreds of years intact, that is, bronze, or, more likely, hard stone, such as marble. The processes involved are too elaborate and the materials too expensive for the manufacture of what is, ultimately, a mere prop. Even so, one might expect more in terms of style from a neoclassical sculptor like Nicolosi. An anecdote from Gardner’s memoir explains how the statue used in the film had to made under considerable time pressures, due to a rather amusing and telling misunderstanding:
Most Venuses I’d seen in art books were nude or had a magically clinging drape low on the hips, and Mr. Nicolosi clearly had the same idea. Because when I took off my clothes behind a screen and appeared modestly clothed in a two piece bathing suit, he looked at me rather severely and gave a sigh that could have been heard as far away as the Acropolis…
Nude? Me? Not even MGM had that in their contract. Bare my breasts? What would Mama have thought?… The artist, however, prevailed… “Your body is beautiful. It will make all the difference.” And do you know what? He was right. Immodest as it may sound, I have to say that the final statue looked very nice indeed. It was carted off to the studio with filming scheduled to begin in a little more than a week.
Then came the explosion. A nude statue! Who said anything about nudity? Tits! Didn’t anyone tell you that tits aren’t allowed in a Hollywood film? It doesn’t matter how beautiful they are, it’s immoral and indecent. Plus, the goddamn statue has to come to life on screen. Do you want us to be accused of corrupting the whole of America?
As the owner of the offending objects, I sat back and did not say a word. After all, I’d done my bit for the arts. But the poor sculptor, who’d poured his soul into this clay, was shattered. No one had told him they’d wanted a Venus dressed up like Queen Victoria. Finally, another statue was made, this one with me wearing the belted-at-the-waist off-th-shoulder gown that Orry Kelly had designed for Venus, and America’s morals survived to fight another day.
Another factor, of course, although one with which one might not expect Nicolosi, who studied with Solon Borglum and was a fellow of the National Sculture Society with numerous public commissions, to be particularly sympathetic, is that the film is a comedy. The aesthetic distance between the Venus de Milo and Savory’s “Anatolian Venus” ultimately affords another possibility source of amusement in a rather sweet and frothy amusement.
Ah, it’s rather like a retailer complaining about the look of the titular mannequin and then realizing, “Hey, it’s a comedy!”
But for more of Ava Gardner — and some cheeky humor — we return to Lee Server’s bio of Ava Gardner & discussion of statues for the film One Touch of Venus:
Another piece of art was created, a small souvenir knockoff of the Nicolosi statue, an idea cooked up by the Universal publicity department, to be sent to select members of the press as a promotional giveaway. Someone in the art department created the eight-inch clay version of Venus, and before it was sent out for casting, publicist Bob Rains decided that as a courtesy they should show it to Ava first. “I took the clay model over to her dressing room. I said, ‘Ava, you want to take a look at this? What do you think?’ She looked it over an laughed. She said, ‘That’s not my figure.’ And then with a cute smile on her face she pinched off some of the clay from the chest area and stuck it to the rear end. She smoothed it on with her finger and made the fanny bigger. She said, ‘That’s more like my ass.’ I was startled by amused. I took it back to the department and told them what happened and everyone broke into hysterics.”
No word on which figure, the art department’s original or Gardner’s adjusted clay model, was used to cast the promotional Venus.
And because you know I find it so damn amazing that a woman’s nipples are a danger to society, it should be noted that Server also mentions that many good takes on the filming of One Touch of Venus had to be discarded due to the chiffon gown worn by Gardner on a chilly set; eventually prop man Roy Neal was assigned to follow the actress everywhere with a portable heater to avoid such horrors as visible erect female nipples.
However, I think you’ll agree if you click to see the larger photo below, that you can see Ava Gardner’s areola. I guess that’s OK because it’s not going to poke your eye out, or whatever it is that erect nipples are feared to do.
This special limited edition Lip Venom is a sneak preview of our highly anticipated Twilight Venom, debuting this Fall. Lip Venom V is not your typical DuWop venom. Instead of a gloss, Lip Venom V is a shimmering crimson lip stain suspended in a venom-laced liquid lip conditioner with a bite, and contains argan, avocado, olive oils and vitamin E.
This product should be shaken before use to represent the blending of the human and vampire worlds and applied repeatedly until lips are plumped, revitalized and the desired intensity of color has been reached.
Only a limited number of Lip Venom V have been produced. Vampires may live forever, but this offer won’t. Due to limited quantity and exclusivity of this offer, limit 2 per customer.
According to the makers, Lip Venom is a blend of essential oils (including cinnamon, wintergreen, and ginger) that cause the blood to rush to the surface of the lips, flushing and swelling them slightly.
Maybe you’ve started your own business based on a personal passion, or you’re a community leader who everyone looks up to. Perhaps you dedicate your time and energy to a cause, or use art as a means of creative expression. Tell us how you exude confidence, optimism and personality while balancing a variety of roles – at home or at work – all with grace, flair and style!
Three Grand-Prize winners will:
* Star in a Maybelline New York “Colorful Life” short film
* Take a fabulous, all-expenses paid trip with a guest to New York City
* Receive a Maybelline New York Makeover by a professional make-up artist
* Meet Candace Bushnell, best-selling author of Sex and the City, at her Webisode Premiere Party and appear in a “behind-the-scenes” webisode
Ten runners-up will also be selected. Each of them will receive signed copies of each of the three newest paperback novels from Candace Bushnell (Lipstick Jungle, Trading Up, and One Fifth Avenue) and a year’s supply of Maybelline New York Color Sensational lipcolor (4 shades).
Women can enter the nationwide contest today by logging on to www.Maybelline.com/ColorfulLife and following the instructions to upload a photo & an essay of 200 words or less about “what makes your life colorful.”
The contest ends June 30, 2009. Winners will be selected by Meredith Publications and Maybelline New York.
To celebrate the launch of www.thisismarilyn.com, the first and only social network specifically designed for the devoted fans and collectors of Marilyn Monroe’s lifetime of work, the site will be giving away $100,000 in highly sought after vintage photographs and limited edition prints.
The original photographs and signed prints are from personal friends of Marilyn Monroe, Andre de Dienes and George Barris. The contest which started when the new site launched, on June 1st, 2009 (Marilyn Monroe’s Birthday) will award 55 prizes, ranging in value from $800 to a grand prize worth over $12,000! The contest will end on August 4th, on the anniversary of Marilyn’s death.